I usually grab the little Kodak hanging on my belt whenever I see something that stirs my aesthetic sensitivities. As a student of Zen photography I strive to articulate what attracts my senses through pictures. Most of the time this tendency leads to composition exercises and a closely related series of digital photos.
The subject matter is viewed at numerous
points of view. I ask myself questions about the pictorial forms and light. I seek to gather picture elements that strike an emotional chord of recognition when I view the print.
Composition One, below, is a different exercise for me. While cutting onions I decided it might prove interesting to test my
range of aesthetic convergence.
Composition One
After making the initial composition and exposure, I walked a great circle arc around the kitchen through the living room and back into the kitchen. I made return trips for compositions and exposures 2, 3, and 4. The full-frame photos were combined in Photoshop Layers and their opacity was adjusted to demonstrate the compositional variance between shots.
What does the image prove? 1. There is a relatively small range of my preferable framings for this composition, 2. Time-motion studies are a breeze while practicing Zen photography, and 3. the visual tensions between framings almost bring this multiple exposure scene into faux 3-D. And 4. It was fun.
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